In a recent photography class, my instructor showed us a photo he had taken at night with a very slow shutter speed, which was necessary to capture as much light as possible. The photo consisted of a black background, against which was written in the dark night sky the word “love.” The instructor had literally written with light. He lit a sparkler and wrote the word “love” in the air in cursive script, and by using a slow shutter speed, he was able to capture a still shot of something in motion.
I’ve been learning a lot about how to capture light in this photography class. One of the first things we learned was that the word “photography” means writing with light. The amazing thing about photography is that you can capture light in almost any situation. There’s always some light available. At night and on gray days, the light is less present, but the light is still there, and the task of the photographer is to channel this light and write with it.
At night, the photographer must slow down the shutter speed to allow as much light into the camera lens as possible. If a photo doesn’t come out quite right, it’s usually because the light hasn’t been captured properly. When the photographer learns to move away from the camera’s automatic mode, she has great power. She has the power to write with light, even in a very dark setting.
The feast of Candlemas comes at a fortuitous time of the year for those of us in the northern hemisphere. The sun usually doesn’t rise until 7 a.m., and it’s dark by 5:30 p.m. A feast that celebrates the light is just what the doctor ordered. Indeed, the light seems to take on greater meaning when the days are so dark. But it’s extremely difficult to capture the light during the winter. And metaphorically speaking, it’s challenging to harness the light when our world seems dark, too.
We must assume that the world of Anna and Simeon had plenty of darkness, just like ours. I only wish we knew more about Simeon and Anna themselves. St. Luke provides a few details from which we can glean something about their lives. Simeon must be old, since he’s waiting to die until he sees the Messiah. He’s awaiting the consolation of Israel, which also suggests that Israel must be experiencing some sort of desolation. Things are not as they should be. God’s people have been waiting a very long time for their Messiah to come and reign. Meanwhile, justice is sorely lacking. The people may have been brought out of Egypt, but they still aren’t entirely free.
Simeon is faithful and devout, waiting in the darkness with confident expectation for the coming of his Lord’s light. He’s like the long exposure of a camera, a slow shutter speed of a life desperately trying to capture the light as much as he can. His life is shaped by his religious faithfulness, presumably comprised of constant prayer and faithful worship in the temple. Surely this long exposure of a life lived dutifully towards God helped him discern the Spirit’s guiding hand when he was finally led to the Temple to meet his Lord.
And then there’s Anna. We know she’s old, although her exact age is somewhat uncertain depending on how you translate the Greek text. Her life has been a long exposure, too. St. Luke tells us that she never left the Temple. She worshipped and prayed and fasted day and night. She’s a steady presence in the Lord’s house, waiting patiently and faithfully to capture the light when it comes. But her presence there seems to surpass mere duty and obedience. Like Simeon, she’s also waiting expectantly for the redemption of Israel. Her life is permeated with hope. Once again, we’re led to believe that things aren’t as they should be among the Jewish people. And Anna’s life must have had its sorrow, living for so long as a widow. In the world of Anna and Simeon, darkness must be more prevalent than the light. But Anna and Simeon seem to know, like a good photographer, that the light is always present. What matters is what you do to channel it.
And so, on that day of Jesus’s presentation in the Temple, the moment is ready for a glorious photograph with the perfect exposure. The child is brought into the Temple, and because Anna and Simeon are patient and faithful and expectant, and because they’ve been so molded by the Holy Spirit that they know when to show up and what to do, Simeon and Anna are poised to capture the light. And when the light comes to them, they write with it. Gazing upon their infant Lord, they capture in their hearts and minds the perfect image of the living God.
But this light is so powerful and so illuminative that it can’t be held inside the hearts and minds of Anna and Simeon. Most certainly its intensity would have shattered the lens of any camera. This light is meant to be shared. It’s meant to be written on the darkness of the world as a sign of hope for its consolation and redemption, like the word “love” written on a dark night sky.
When the times are spiritually dark, the light seems elusive. The easy solution is to devolve into panic because we can’t seem to capture the light. We might be tempted to throw up our hands in defeat, to despair of ever writing with light again. We live in an impatient, confused, and cruel age, but I suspect the world has always been so. And it’s very difficult to get a perfect exposure in such times.
And yet, there may be an invaluable lesson in the art of good photography, the art of writing with light. The more darkness there is, the longer the exposure must be, because we need to let in as much light as possible. And the longer the exposure is, the more essential it is that the camera is held as steady and still as possible.
If Simeon and Anna were like spiritual photographers of their day, it was because they knew how to capture the light. The Temple and its worship were at the center of their existence. They understood how to be still in the presence of God, unshaken by the restlessness of the world. They understood that their constant, regular presence in the place where God was most truly worshipped was the way in which they could capture the light. They knew that they needed a perpetual open-eyed watchfulness to take in as much light as possible. But above all, they were deeply aware that to write with light, you must first believe with all your heart that the light is there, even in times of overwhelming darkness.
This feast of Candlemas is a celebration of the marvelous good news that the light never goes out, no matter how dark things seem to be. Even forty days after Christmas, we still keep alive St. John’s words that the light shines in the darkness and the darkness can’t overcome it. And not only is the light always present for us to capture. It’s meant to be shared as a light that will enlighten every corner of the earth.
The Church has been called a hospital for sinners but in times when the darkness becomes oppressive, maybe we should think of the Church as a school for learning how to write with light. It’s in the Church that each week we take Christ into our arms—literally into our bodies—and then in turn, we move outside of the Church to bless the world, just as Simeon blessed Joseph and Mary. It’s in the Church that when we encounter the presence of the risen Lord, we speak to all whom we meet of the redemption of our Lord, just like Anna. It’s here in the Church that we’re formed to write with light, especially when the light is hard to find.
In the Church, we’re reminded that there’s always light to be found. The darkness can’t comprehend this light. And while Jesus’s disciples have been called fishers of men, maybe we’re most appropriately called writers of light. A long exposure in the darkness, a steady presence in times of anxiety, and eyes that are constantly open will enable us to capture the light and find the perfect image of God. And the Church is where we learn to do this.
My dear friends in Christ, never relinquish the hope that permeated the lives of Anna and Simeon. Never forget that our redemption is always drawing nigh, and our consolation is always on the horizon. Never give up on the possibility of writing with light, because although everything may appear to be darkness, the light is always there. And with God’s grace, we can capture it and write a love message to the world.
Sermon by Father Kyle Babin
The Feast of the Presentation of Our Lord Jesus Christ in the Temple
February 2, 2025